Semiotext(e)
It remains difficult to imagine an American avant-garde outside the publisher’s influential network.
By Keegan Brady
Dodie Bellamy
My attention tends to focus on the micro, on what’s right in front of my face—I let associations spiral out from there.
in conversation with Lauren O'Neill-Butler
Chris Kraus
I’ve never been able to fully commit to the art world.
in conversation with Keegan Brady
Jackie Wang
I do wonder whether it is such a good idea to make trauma the center of political demands.
in conversation with Cyrus Dunham
Bernadette Corporation
A corporation is a way to disappear, to have impunity. It’s a legitimate kind of thuggery.
with Jim Fletcher, John Kelsey, and Bernadette Van-Huy in conversation with Emmanuel Olunkwa
McKenzie Wark
Trans women have never had an ongoing, well-documented, accessible, aesthetically varied, interracial culture.
in conversation with Ryan Mangione
Harmony Holiday
Play is a form of thinking.
in conversation with Amira Olingou
Hedi El Kholti
I've only lived my gay sex life in English.
in conversation with Ryan Mangione
Jim Fleming
I've been erased from the official history of Semiotext(e).
in conversation with Taylor Lewandowski
Sasha Frere-Jones
When you’re working in a journalistic framework, you’re going to be making the donuts and you may like the donuts but you did not design the donuts.
in conversation with Ryan Mangione